Love motel-spun4

Love motel
At the Bambi Motel in Columbus, Ohio, an alluring,[link widoczny dla zalogowanych], nearly naked redhead lies sprawled on the floor of 1 from the lodging candle lit, slightly raffish rooms. She on her back, dressed only in diaphanous white panties and black Mary Janes, and her eyes appear closed. She might be dead, sleeping or simply posing for an erotic photograph. The viewer alone determines if this sounds like a criminal offense scene torn from the pages of the Jim Thompson novella or something a tad less sinister.
There are other rooms, other assignations and situations. On the wine-colored couch, circa 1960, a topless brunet in mules and sheer dark knickers is involved in various spiderlike contortions. Who's she carrying this out for and why, one wonders? More puzzling would be the chambers in which a touch of the surreal is introduced: like the backside of a woman clothed in vintage garters and high heel shoes, severed from its upper half by the folds of the dull gold curtain falling on the vermilion rug. Perhaps the head and arms of the inviting posterior are hidden by the hanging fabric. Or maybe the rest of her has vanished into some parallel Lynchean universe.
The Bambi isn't the only repository of such neo-noir visual poetics. Nearby, there the Brookside, Motel One, the Homestead yet others. It a realm of half-full ashtrays, shot glasses filled with bourbon and dames in horn-rims and bullet bras.
This sexually charged alternate universe may be the purview of Ohio photographer Chas Ray Krider,[link widoczny dla zalogowanych], who describes his adult fantasyland simply as fetish. Within the last 5 years, he explored this lamplit twilight zone in spreads for erotic magazines like Taboo, Libido and Leg World and for book compilations such as Lust, Desire, and Mammoth Book of Illustrated Erotica.
Krider creations, which he also produces for the amusement of himself and the collectors, sweat lounge-era exotica from every pore, transforming the otherwise mundane atmospherics of dusty motor inns into scenes echoing the job of Edward Hopper or Alfred Hitchcock. Imbued with warm, rich reds, greens and yellows and accented with of a bygone era, Krider vignettes reflect an imagination molded by a town for example Columbus an urban area that, similar to other areas of Middle America, retains a strange Place feel into it.
Like Krider enticing, blank-faced models, these Columbus motel rooms seem trapped in amber in support of lightly touched, if, by more recent conveniences and fashoins.
drawing on my precognizant look at life that sort of square life, explains Krider, who declines to provide his age. high school, I worked inside a record store, and I was thinking about the Beatles and the Rolling Stones. But we sold a lot of this easy-listening stuff. It had been crap, I thought. I listen to it all day long. I be so bored, I be flipping through the album bins, looking at these easy-listening album covers which have the most fantastic photographs on them. Very sexy,[link widoczny dla zalogowanych], very seductive imagery. Today I've found all that precognizant input much more interesting and worth exploring. Then when I go to some motel, I have i believe a place enabling you to have a sexual encounter that neither pornographic nor that Sports Illustrated swimsuit mentality that we have today.
Though Krider finds most of his motel room settings in Columbus, in which the near-retro interior comes filled with the low daily rate, he does occasionally need to create or tweak the atmosphere to get the look he requires. And so i picked one,[link widoczny dla zalogowanych], and that i visited the thrift stores and bought some cheap carpet plus some bad furniture and built a collection. I'm able to put in the type of color, ambiance and the right forms I want. On location, it hard to locate motels that haven been redecorated in the when you end up getting something similar to a Southwestern, mauve theme, he admits that.
Krider says he not attempting to re-create any particular period,[link widoczny dla zalogowanych], but rather a timeless quality depending on memories of his youth. Sometimes he even throw in an anachronism just like a CD walkman to disrupt the idea that he manufacturing a sort of diorama of Kennedy-era leisure culture. His models often mirror this odd combination of decades, sometimes wearing a girdle or see-through panties that Krider has salvaged from vintage clothes outlets, and matching all of them with their very own shoes in the present and perhaps a recent bra from Victoria Secret.
It makes sense a time-warp that, considering the continuing interest in retro-lounge culture by young adults, creates certain visual conundrums. Take one photo of the woman legs and hips: She wears white undies, a black pump on a single foot and also the other bare save for beige nylons. Her velvet-gloved arm rests provocatively on her groin, and 2 cocktails take a seat on the floor before her. The image could double as cover art for novels by Raymond Chandler and Haruki Murakami.
Another of a woman standing next to a dated table lamp set on the ground, her hands tied in what appears like a black electrical cord might be a still from Velvet, or an interpretation of some classic Irving Klaw bondage pic.
of the things in my motels are actually and early furniture and props, Krider says. my whole sense of color really throws it back. Individuals will always say it the 1950s. That maybe since it has what I call the warmth of the past. Though Krider has Two decades of expertise with fine art photography, a lot of it invested using the phycho-sexual tension of his Fetish compositions, he's largely self-taught, having graduated from Ohio State with no specific major. He lived the majority of his life in Columbus, leaving only for a bit of hitchhiking after college.
And with the exception of some models like the inimitable Dita von Tease, who lives elsewhere and it has her very own following, the majority of Krider ladies are homegrown nonprofessionals with far from perfect bodies (as judged by Hollywood standards). These women, attractive yet somewhat ordinary, lend Krider compositions authenticity, and help sustain that suspension of disbelief provoked through the narrative part of the photos.
became a painter because I had been thinking about art like a vehicle over time and space, he says. actions should drive them to some state of higher consciousness. The motel work with me is a kind of tantric yoga exercises. I taking these low sexual energies, and slowly, methodically moving them up to a higher plane. Basically, I creating a still life, and also the model is a a part of that. Eventually she gets to her lowest emotional level,[link widoczny dla zalogowanych], her true self. They simply permeate this nothingness they in.
What becomes frozen over time is moment if you have the anticipation you likely to have this sexual fling, says Krider. There also the potential for violence, maybe even what the Germans call lustmord,[link widoczny dla zalogowanych], or lust murder. And when Krider occasionally shows us what may be the pause after the storm,[link widoczny dla zalogowanych], it could be also the stillness following homicide, using the killer away from frame.
Krider is paused before a storm of sorts,[link widoczny dla zalogowanych], having recently signed a contract with Taschen for a motel fetish book due in October of the year. Though he dreams of using a film depending on his art and directed by, obviously,[link widoczny dla zalogowanych], David Lynch, Krider probably won leave Columbus in the near future. He seems a very precise individual, one that wants to be in total charge of his environment and destiny. Columbus is the perfect setting for that.
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